This is the first time it came to fruition because everybody was available. this would be cool to work on with fill in the blank, but those people have to be available to dedicate themselves to it. Joy, have you done a lot of this, getting together with fashion designers, or is this a fairly unique situation? I used to sketch Wonder Woman’s costume, it felt like that.
And I didn’t have to worry about the sales aspect of it, or the reviews. PG: For me, it was easy because I was creating for Michelle Yeoh’s character and it was pretty much in the realm of what I do, you know, floaty, beautiful. The Monkey King character that I focused on has these heavenly battle scenes, so it was interesting to use all these materials that are the opposite of what we would naturally work with and wear. Our brand is rooted in reality, in functionality, and for this project, what was challenging was to push this kind of ostentatiousness, this gildedness. So, how does designing for TV differ from designing for a room full of editors and buyers at a fashion show?
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